No. 7

View No. 7

Published: 2019-06-21

Artículos

Francisco Andreví (*1786; †1853) between France and Spain: musical composition and social implications in the first half of the 19th century. Part I. A Vital Path up: from the Pyrenees to the South. From La Seu d'Urgell to the Royal Chapel

Glòria Ballús Casóliva, Antonio Ezquerro Esteban

3-48
- PDF (Spanish)
- DJVU (Spanish)
Juan Arañes’ Unpublished Religious Spanish Music of the 17th Century

Francisco Javier Cerveró Martínez

49-92
- PDF (Spanish)
- DJVU (Spanish)
From case study to compositive typology. «Quatros» (Tonos and Villancios) of the second half of the 17th century in Valencia

María del Carmen Catalán Jarque

93-141
- PDF (Spanish)
“El primer poema que de esta clase se consagra en este Reino al origen de nuestra felicidad”: La entrada de Baco en Tebas (1705), a New Source for the Study of Lyric Theatre in Valencia at the Beginning of the 18th Century

Nieves Pascual León

142-160
- PDF (Spanish)
- DJVU (Spanish)
Barcelona and Fashion Music. From the end of the 19th century to the beginning of the 20th century (new ballroom pieces and the arrival of jazz). The case of Clifton Worsley (*1872; †1925). Part II. An Original Musical Output, Debtor of his Time.

Antonio Ezquerro Esteban, Cinta Ezquerro Guerrero

161-232
- PDF (Spanish)
- DJVU (Spanish)
Music and Cinema for the Cristo de la Vega

José Prieto Marugán

233-257
- PDF (Spanish)
- DJVU (Spanish)
The Influence of the Atlantic Trafficking of Slaves in Afro-Cuban Culture: Music and Poetry in the Work of Nicolás Guillén

José Ignacio González Mozos

258-280
- PDF (Spanish)
- DJVU (Spanish)

Reseñas de libros

Tesis Doctorales

La Música en la Catedral de Guadix en los siglos XVI y XVII

Alfonso Peña Blanco

289-290
- PDF (Spanish)
- DJVU (Spanish)