Presentation/Editorial

Authors

  • Helena Cabello University of Castilla-La Mancha
  • Ana Carceller University of Castilla-La Mancha

Abstract

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Author Biographies

  • Helena Cabello, University of Castilla-La Mancha

    Helena Cabello received her PhD in Fine Arts from the University of Vigo and is currently Assistant Professor (accredited as Tenured Professor) in the Department of Art at Cuenca School of Fine Arts, University of Castilla-La Mancha. She has taught in Universidad Europea de Madrid, where she directed the Art Department, and Universidad Miguel Hernández in Elche. She has also collaborated in several postgraduate and master programs at different universities and research centres, among them the Master in Contemporary Art History and Visual Culture (MNCARS/ UCM/ UAM), UPV Master in Artistic Production, or Master in Art Education (University of Lisbon’s Fine Arts School), and Master in Curatorial Studies (University of Lisbon/Fundaçao Calouste Gulbenkian). She has recently collaborated as Distinguished Professor at Haverford College, Philadelphia (USA), and has participated in several research projects related to contemporary art practices, feminisms and gender theories, working as Head Researcher in the research project TestMadrid. Espacio experimental de intervención artística (TestMadrid. Experimental Space for artistic intervention, UEM/Madrid Council).

  • Ana Carceller, University of Castilla-La Mancha

    Ana Carceller received her PhD in Fine Arts from the University of Vigo and is currently Associate Professor (accredited as Tenured Professor) in the Department of Art at Cuenca School of Fine Arts, University of Castilla-La Mancha. She has taught in Universidad Europea de Madrid, Universidad Miguel Hernández in Elche, and University of Vigo. She has also collaborated in several postgraduate and master programs at different universities and research centres, among them the Master in Contemporary Art History and Visual Culture (MNCARS/ UCM/ UAM), UPV Master in Artistic Production, or Master in Art Education (University of Lisbon’s Fine Arts School), and Master in Curatorial Studies (University of Lisbon/Fundaçao Calouste Gulbenkian). She has recently collaborated as Distinguished Professor at Haverford College, Philadelphia (USA), and has participated in several research projects related to contemporary art practices, feminisms and gender theories. She has also participated as researcher in the I+D Excellence project Creación y Estudio de las CAAC de Cuenca como modelo metodológico para una investigación de Excelencia en Bellas Artes (Creation and Study of CAAC in Cuenca as a methodological model for excellence in Fine Arts research).

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Published

2017-02-20

Issue

No. 00 (2017): Collecting the Immaterial

Section

Editorial

License

All articles in the journal are subject to a Creative Commons Attribution – NonCommercial – NoDerivatives license